Where Art and Philosophy Meet: Should Art Be Interpretive? (Will Moneymaker Photography)

Published: Wed, 03/15/17

 
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Where Art and Philosophy Meet: Should Art Be Interpretive?
Where Art and Philosophy Meet: Should Art Be Interpretive?
What is photography without meaning? Most would argue that the more meaning, the more symbolism a photograph contains, the more valuable it becomes. This leads to an odd interpretation of philosophy in photography. Some take this to mean that you should leave photos open to any number of interpretations — whatever multitude of things that the viewer can possibly think about the image. The photograph itself has no point, other than to hopefully encourage the viewer to do all the thinking.

I think this is the lazy way of doing things. If you leave a photograph’s meaning open, if you don’t give the image a defining purpose, then you are essentially telling the viewer to do all of the work. All you have done is provide a vehicle for thought, but not necessarily a device that provokes deep thought about a given subject. When the meanings behind an image are muddled in this way, the temptation on the viewer’s part is to not think about it at all. Instead, he or she is much more likely to gravitate to images associated with strong feelings or lines of thought rather than trying to ferret out what they think the photography may or may not have meant. This is why I think that a photograph without a clear and obvious meaning is just not as powerful as one that lays everything out on the line. To me, a powerful photograph is one that has a strong foundation. The intent and philosophy are unmistakable. There is no risk that the viewer comes away thinking that perhaps the photographer had no idea what he or she was trying to convey. The viewer, whether they agree or disagree with the sentiment behind the image, knows exactly what is meant by the image. A powerful image is not wishy-washy or hard to piece together. It is an image that is strong, that grips the viewer and pulls them in, forcing them to see the message.

So how does one go about creating powerful images? You cannot narrow it down to a specific subject or even to a certain genre. Rather, it is all in the way that you approach your art, no matter what it is that you are photographing. It’s about taking your own personal philosophies and using the photographic image to convey them for everyone to see...
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The only way to do something that hasn't been done before is to think in ways that no one has thought before. In today’s episode I’ll give you some exercises to show you how.

 

 
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Gear Isn't Everything: Creating Art with the Camera You Have, Not the Camera You Want
Gear Isn't Everything: Creating Art with the Camera You Have, Not the Camera You Want
Photographers often feel as if they’re caught in something of a rat race – the race to get the best camera, the perfect optics and thousands of dollars of accessories, equipment and editing software that will help create the best possible images. However, at a certain point, we all have to stop and think: Is it the camera or the photographer that is responsible for creating works of art? Eve Arnold answered that question when she said, “It is the photographer, not the camera, that is the instrument.” I tend to agree...
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