Why Spontaneity Doesn't Work

Published: Thu, 07/27/17

 
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Orleen Sebesta
 
Why Spontaneity Doesn't Work
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Why Spontaneity Doesn't Work
The stereotypical image of the artist is one that spends a large portion of his or her life not producing anything. Then, when the inspiration strikes, the artist goes to work, spontaneously producing works of art. Perhaps the artist finally had the exact right sequence of thoughts. Whatever the case may be, the work is something that just came to them, spur of the moment.

With photographers, that mental image of the inspired artist is sometimes even stronger because it is assumed that all a photographer must do is keep pushing that shutter button until something magical happens. Perhaps in a fit of inspiration, the photographer figures out just how to create the perfect piece of art and with a few quick snaps, the job is done.

However, that isn’t how art works. Any art, not just photography, but painting, writing and so forth. More often than not, the greatest works are those that took the most time. They are the works that the artist spent days, weeks or even years producing.

In photography, a lot of that time is time spent waiting. Thinking, digesting, letting ideas coalesce and evolve. What’s more, there are several points throughout the photographic process where you should find the time to wait, to let the image percolate in your mind, to give yourself the time to forget about it just enough that you can look at an image more critically. Let me show you the three stages of the photographic process where I find myself simply waiting and thinking.
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Have you heard of Old Car City? It is a museum that is well worth exploring. Entirely unique, it mixes antique cars with nature. On today’s episode, I’ll share the fun details of my adventure.
 
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The Beauty of Abstract Photography
The Beauty of Abstract Photography
How does one define the abstract? That’s a question that artists have struggled with for centuries. In its purest form, an abstract photograph's subject is often unrecognizable. The beauty derives not from the subject itself, but from its shapes, textures or colors. The work of Henry Holmes Smith is a great example of this – many of his images are mysterious studies in light. Others – like this image on the right – focus purely on lines, shapes and patterns rather than portraying a subject as a whole...
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