Overcoming Assumptions

Published: Thu, 01/11/18

Vol. 5, No. 2 — January 10, 2018
 
Latest Winners
Anita Donaldson and Wanda Jenkins

 
Overcoming Assumptions
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Overcoming Assumptions
Photography isn’t all fun and games. Sometimes there are things that we find annoying. Chief among them? Assumptions. There is something about creative professions — photography, writing, painting and so on — that allows people to jump to conclusions about what it is that you do. If you tell someone that you are an insurance agent, that you work in a factory or that you are an E.R. doctor, people understand almost immediately what it is you do.

However, when someone asks your profession and you tell them that you are a photographer, well, let’s just say that you can expect a barrage of questions, many of which you’ve probably already heard and are tired of hearing. Here are some of the questions that I often hear when people make assumptions at what I do. Give them a read and then hopefully you’ll be able to laugh with me and brush off some of the annoyance at the assumptions people make!
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The Photo Essay: Lessons from Videography
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The Photo Essay: Lessons from Videography
The photo essay is tough. It is a project that requires not only creativity and an eye for storytelling, but one that involves a lot of work and most importantly, careful planning. This is one reason why I recommend going into a photo essay with a shot list or a checklist of things you want to make sure that you take away once the session is over.

The problem with this is that if you build yourself a list of shots prior to the day that you’ll be taking the photos, it leads to the idea that a photo essay is sort of a formulaic thing. So, my best piece of advice is to keep that thought in the forefront of your mind, the idea that even though you’ve written out a formula, the formula does not necessarily need to be followed in the end.

In other words, make yourself a list of shots so that you don’t forget anything that you may want as you wrap up the project. Don’t make the list with the thought that these are the shots that absolutely must be present in the final essay.

With all of that said, let’s take a look at how to go about building a shot list for a photo essay. Because this art form is documentary in nature, it sometimes helps to approach it from the perspective of videography. Think about your favorite documentaries and how the videos are shot, how the stories are told. Use that as your guide to creating a similar kind of story but in still images. To help guide you, I’ve prepared a quick list of shots that I like to make sure I take whenever I work on photo essays...
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Weekly Photography Podcast​​​​​​​​​​​​​​​​​​​​​
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What makes a black and white image effective? Today I’ll show you the details that you will need to watch carefully, including tonal range, textures and more.
 
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Connecting Instead of Observing

Connecting Instead of Observing
As a photographer, you may think of yourself as an observer. It’s an easy mindset to fall into because that is sort of what we do. We go through this world looking for things to photograph. We watch, we wait for the right moment, photographing the objects and actions that stand out to us. And there is often a disconnect there. We are not part of the scene. We are merely the observer of the scene.

But, immersion is important, even though it is an often overlooked step. Part of what we photograph is an emotion or a particular thought. So, how can we do that if we ourselves are outside the scene looking in? When we immerse ourselves, invest our emotions into the things that we are experiencing, connect with the scenes, that is how we learn them better. That experience, that knowledge is key. It is essential if you really want to pour meaning and depth into your photography.

That connection doesn’t always come easily, however. Here are a few of my thoughts on the subject, ideas that may help you make that connection with the things that you photograph...
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The Joy of Photography, Volume 1
 The Joy of Photography, Volume 1
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